Mediander is a great source for learning about all sorts of subjects, and our Connected Topics format—including videos, insightful blog posts and CultureMaps, AP news, and books—lends itself to multiple modes of learning. Why does this matter? As University of Wisconsin–La Crosse assistant professor of psychology Tesia Marshik explains, meaning is constructed contextually, using multiple modes of learning in a variety of formats. But don’t confuse this with the widely held myth of learning styles—the idea that people can learn best through a single mode. Marshik (pictured above) debunks this notion in her work, in this TEDx video and in our interview here.
Dear friends of Mediander,
Connection, discovery and engagement—Mediander pursues these goals for every topic it presents. On every new Topic page, you’ll find related videos and relevant books, as well as other connected topics that let you see how they’re connected.
And we just added an exciting new content source to the Topic page mix: relevant, up-to-the-minute news articles from the Associated Press.
What’s in a name? A lot, if you’re a chemist. With last week’s discovery of four new chemical elements (working titles: 113, 115, 117 and 118), scientists now face the same difficult question that confronts every expectant parent: What do we call it?
The original Penn Station was New York’s finest landmark. At its peak in 1945, more than 100 million passengers each year traveled through its granite columns and vaulted glass windows, arriving in America’s great metropolis in style.
The New Year is here, making us feel once again as if time is speeding by at an ever-increasing rate. But time is one thing humans have a handle on.
In Opticks, Sir Isaac Newton’s 1704 treatise on light and color, the physicist slips in a radical theory on music: He proposes that, since the solfège contains seven intervals (do re mi fa so la ti) and the rainbow contains seven colors, music and color must vibrate in accordance with each other.
David O. Russell is one of the most exciting film directors working today. Beginning in the 1990s with the oddball comedies Spanking the Monkey and Flirting With Disaster, then taking a unique spin on the war genre with Three Kings and continuing through his recent Oscar-nominated trio—The Fighter, Silver Linings Playbook and American Hustle—Russell’s films are built upon the most basic human desires and the complex, often tragic, often humorous relationships they create.